Review: Sluka “Colorful Radiation” By Addison Coleman

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As a balanced musical artist, Christopher Sluka possesses the capacity to shrewdly verbalize himself in numerous genres, platforms, and mediums. As a vocalist, lyricist, artist, and entertainer, he has released 11 studio collections to critical acclaim.

Notwithstanding music-production, Sluka is additionally a striking visual craftsman, increasing worldwide exhibition for his surrealistic oil works of art that have graced displays from New York to San Diego, and Tokyo to Milan.

Towards the beginning of his profession, while performing live in the New York music scene, Sluka created a name for himself and was often included with many multi-platinum artists of the time in conversation. With comparisons to Coldplay, David Bowie, and many others, Sluka is a constant force to be reckoned with in the world of mainstream and indie music.

“Colorful Radiation” is the title of Sluka’s eleventh release, and it is being met with amazing support from the industry and fans worldwide. “Number One” is the first single released, and the video is doing very well, with a ukulele introduction like nothing ever heard on an incredible rock track. Watch the video for “Number One” and you will see what I am talking about:

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“Colorful Radiation” Track Listing:

Number One
Virga
Rise
Tease Me
A Mode Of Joy
Slinging Slights
Arpeggiate
Cold War
Visceral Repercussions
Metaphor

Many of the songs have incredible harmonies and piano melodies, “Virga” stands out as one of the album highlights, with great musicianship and a soaring vocal range that radiates to all who are listening.

Sluka’s vocals are like no other, sometimes bewildering and other times giving out a chilling positive vibe that compliments his musicianship and free spirited, celebratory attitude.

Many of the tracks on “Colorful Radiation” are piano-laden with lush string instrumentals that create a sound unique to the artist, always combining soothing harmonious vocals to all of the songs on the album, whether they are stadium stompers, ballads and everything in between.

“Colorful Radiation” now has a visual album that contains all 10 songs has been released as a combo 3D, 4K and Blu-ray package on Amazon. Get it today so you really comprehend the genius that is Sluka.

http://www.sluka.com
@slukamusic

Sharon Lia: “Talent With A Heart” by Eileen Shapiro

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Being introduced to singer/songwriter/musician and recording artist Sharon Lia was a treat in itself, speaking to her became even more special but hearing her music suddenly harmonized into the titanic icing on the cake!

Hailing from New Jersey, Sharon played Keys and began to write songs at age 14. It was then that her mom so impressed with her talent awarded her daughter music lessons. Inspired by her music teacher’s magic words, “a creation isn’t a creation until you share it with someone”, Sharon went on learning her craft, performing in talent shows, and finally forming a band of her own. In 2014 she won her very first “Breakout Artist” competition, and from there began touring with the band, winning fans from NJ to New Orleans, and hasn’t stopped since.

Currently Sharon is in the midst of recording with Grammy-nominated, multi-platinum engineer and producer David Ivory. Sharon was named 2017 Pop/Contemporary Artist of the Year at the Josie Music Awards in Nashville. Having been invited to play at The White House, becoming a voting member of “The Recording Academy”, (Grammy Association), Sharon Lia is experiencing the journey of a lifetime.

Her music is generated from the heart and soul of an artist who cares about others. Her genuine lyrics and sonic innocence and vulnerability pierces the hearts of her listeners leaving a a lifelong impact on those who hear it. Although some of her music seems inspired by personal tragedy including her own fight with cancer which has inspired her to form “Ladies Who Rock 4 A Cause”, a music driven organization, she tends to create vivid and vibrant colorful pictures of songs people can relate to.

On February 20th Sharon will be unleashing her newest single entitled, “Anomie”……Sharon Lia is an artist’s who serves as an inspiration to those who don’t believe in themselves, but who are following their dream. She is living proof that “Fairytales’ do come true.

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When did you actually start to sing?

I actually started playing the piano and singing when I was about six, and I wrote my first song when I was 14. I turned to my mom and played her a song that I had written, and was really cute. Her jaw dropped, and then she let me start taking lessons. It wasn’t until high school until I started really integrating singing, writing lyrics, and playing the music all at the same time, because that’s really hard to do.

What have you been working on as far as your recent music projects?

It’s really an amazing story, what’s happening right now. We are working with Grammy nominated, platinum winning producer and engineer David Ivory. He’s known for working with artists such as Patti LaBelle, Hailstorm, Silvertide…. I had worked with him a couple of years ago, but I was just getting my band together. So I started my band, “The Sharon Lia Band”, and we did covers and originals. We covered a lot of ground as a band, getting the word out of who we were. We put out an album last year, and that was the first thing we did together. I went back to David, wanting to work with him again, and it was great because he wanted to work with us as well. So we are working with him and we have a song coming out on February 20th called, “Anomie”.

That will be available for pre-order on February 5th, and after that we have a song called. “Why Can’t We Pretend” following that….hopefully we will just keep building from there. I’ve really been on a journey. I’ve gone through a lot of things in my life including cancer. I’ve had to fight for my voice. I finally became a voting member of the Grammys. That’s not just something they give out. I was really very thrilled because I bought a dress many years ago, and I had said to myself that “this was the dress I was going to wear to the Grammys one day”. I just put it out for the universe because at the time I did not believe in myself. I was in a situation where there wasn’t a whole lot of hope. There wasn’t a whole lot of reason to believe, but I had this blind faith and this force inside me that said, ” you have to keep on going”.

What inspires your song writing?

As a writer, I write what comes from my heart. I sit down at a piano and I start writing this music and then I start writing words. The way I know that this song is going to be a beautiful song is if I started to well up in my eyes. Then I sing the song to myself over and over. If I do sing it over and over to myself that means it’s memorable, which hopefully means the fans will think that it’s memorable. Songs that are memorable, will hopefully be things people will remember and go back to. I have gone to different people to record my music and the one thing that I have noticed is that one song is like a Donna Summer song, one song is like an Adele song…..so here it is I’m in all of these different lanes. The dance song had dance Instruments and the rock song had rock instruments….and you can do all of this but you have to use sort of the same instrumentation so you can tell that it’s a Sharon Lia song. So the producer that I’m working with now is helping us stay in that lane. The new song that’s coming out is alternative rock, similar to “Coldplay”, but it’s not pop. The subject matter is very intimate. It really describes things that people go through that we really don’t talk about. Your outward face to the world may be beautiful. I see pictures of you with your pink hair, and you look awesome, and everything looks great….. but you don’t really know what a person is going through. A lot of times we keep all of that well under wrap. My A&R guy pointed this out to me explaining that I write about what people may be going through. They may look like everything is fine on the outside, but they are encountering these things on the inside that they don’t talk about. He said that I write music about that, and that’s something I didn’t realize about myself.

So basically people connect with you deeply through your songs?

Yeah, yeah.

You’re also a graphic designer correct?

I am a graphic designer. All of the graphics that you see on my web site I designed, but it’s very time consuming. I do posters, logos, book covers, text for booklets, anything that you can imagine. Plus I have a regular day time job. I also write for a magazine myself, but I just don’t have time and I had to take a break. I’m usually the one asking the questions.

What does “Anomie” mean?

So I sent over my lyrics and the meaning of the song to my team. I really had to sit down and think about what each song meant, but “Anomie” was pretty interesting because no body knows what that word means. You have to listen to the song. When we release the song, we might actually run a contest for people to guess what this song is about. It’s a subject matter that no one has ever sung about, or written about.

Social Media Links
https://www.facebook.com/SharonLiaBand/

https://www.instagram.com/sharonliaband/
https://itunes.apple.com/us/album/fairytales/1173775755
https://www.youtube.com/user/piano52b

Ghostly Beard To Release New Single “The Love In Your Eyes” On Friday February 2nd, 2018

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Super-Talented Indie Anomaly Ghostly Beard is releasing his highly anticipated new single “The Love In Your Eyes” off his soon to be released new album “Inward,” with proceeds to benefit MusiCounts. Support Indie Music, download your copy on Friday February 2nd, 2018.

You may have crossed paths with him on the street, or been in line with him at the grocery store. He has a beard, he’s in his 50s, and he’s the man behind the invisible artist Ghostly Beard, a visionary artistic entity with a boundlessly creative sweep that encompasses soft rock, jazz, prog-rock, fusion, pop, classic rock, and more.

The story goes that Ghostly Beard is a virtuoso singer, songwriter, producer, and multi-instrumentalist who recently came out of a 15-year musical retirement. Since emerging in 2013, he has written an eclectic body of music more than 40-songs strong.

The man behind the music is Patrick Talbot. Talbot grew up a hotshot guitarist with an effortless command of the instrument and fluidity in a variety of genres. Domestic responsibilities, and the demands of making a living, sidelined him. However, a series of events-both painful and liberating-have enabled him to reunite with his true love for a second chance.

“Returning to music was hard at first because I was frustrated with my loss of technique,” shares the Montreal, Canada-based artist. “But when I re-discovered the pleasure of songwriting, I found myself mining an emotional depth I hadn’t reached before.”

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Talbot prefers the anonymity of the Ghostly Beard moniker because it affords him a music-first platform in line with his artistic ethos: “I like to be in the shadows and just focus on the work,” he reveals. In keeping with these ideals he eschews live performances.

Ghostly Beard’s music offers an immersive emotionality that can appear enigmatic. Beneath its dreaminess are themes of absence, yearning for the past, regret and hope. Also penetrating what could seem like Ghostly Beard’s icy veneer of anonymity is the love for his daughter. “Something changed for me when I became a father. Even if I am something of a loner in this world, she is there to ground me,” Talbot shares.

Ghostly Beard’s kaleidoscopic creativity has garnered him comparisons to such diverse artists as Steely Dan, Pink Floyd, James Taylor, Genesis, XTC, Cat Stevens, Weather Report, Michael Franks and Chicago. He crafts immersive dreamy sonic landscapes that emotionally blur the line between dark catharsis and subtle rays of hope.

Request “The Love In Your Eyes” by Ghostly Beard at your favorite radio station today!

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In accordance with Ghostly Beard’s belief in giving back, helping others and paying it forward, all the proceeds of the sales of this single and album will be reversed to MusiCounts https://www.musicounts.ca/ – a Canadian charity organization that helps music education with a wide variety of actions across the country.

Follow Ghostly Beard on the web:
https://ghostlybeard.com
https://www.facebook.com/aghostlybeard
https://www.youtube.com/c/ghostlybeard
On Twitter @GhostlyBeard

Fire Bug: “A Super Talent” by Eileen Shapiro

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Jules and Juliette are the center of the pop rock duo/ band called “Firebug”. Having just released a new single called “Follower” via Spectra Music Group, they will be unleashing a full record in April entitled: “Wondering Soul”.

Having traveled from place to place, the group’s influences are vast and reflect in their music. The Chicago born couple have a lot to give to an audience and often play live. I spoke with them about their music, and they proved to be a lot of fun and quite prolific.

You are a really cool talent; how did you guys originate?

Juliette: We were both looking to form a band, and that’s how we met. We’re both from Chicago. After a brief time of being together in Chicago we moved out to Los Angeles. While we were there we booked up a storm and then moved to New Orleans for a few years. After we stayed in New Orleans for a little while we decided to come back to LA. Now we are east of Los Angeles in the Joshua Tree area.

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Jules: We met in Chicago and that’s when we formed our band. We are both from Chicago originally.

Is it just the two of you?

Jules: Yeah, we are pretty much the core of the band. Like the Eurythmics.

So, you have a new release?

Jules: We just released a single on Spectra called, “Follower”. It’s been out about two weeks, on iTunes, and we are actually making a video for that right now out here in the desert. Our full release which is going to be called, “Wondering Soul”, will be out on April 6.

Who writes the songs?

Juliette: We both do, but mainly me. I write all the lyrics and a lot of times I come up with song ideas. I’ll have the lyrics, melody, and music and then Jules will add to it. Sometimes he’ll come up with the music. We both play guitars, but Jules is mainly the guitar player.

Do you perform live often?

Jules: Yes, we do. Right now, we’re trying to piece the players around us to go out there with a full band, but her and I perform as a duet as well. That’s what we have been doing since we’ve arrived here. We have a few shows coming up, about 15 shows.

Juliette: Which is a lot. We arrived here only a few months ago. We’ve been very fortunate, we’ve met a lot of really cool people here. So, we’re feeling pretty good about our decision to move here. There were some really creative and awesome people that live in this area.

Jules: So, getting back to the ” Following” release and our connection with Joshua Tree, about four years ago we recorded half of our record here. We did the rest in New Orleans. The record is kind of a combination between two places.

Where would you like to go with your music? Where do you want to be say in a year’s time?

Jules: We’d like to be on the road playing music festivals, touring Europe and just getting our music out there to a wide variety of people. Our sound crosses over to different genres.

Juliette: We are a rock band, but we have different influences. I think that’s what Jules is trying to say. We hit all people that listens to different kinds of popular music. Not everyone of course but a lot of people do pick up on it. Sometimes we have the ability to cross over. Hopefully within a year will have a larger audience who will get to hear our music. Hopefully will play in more places and for more people.

Are you two a couple?

Jules: Yes. It’s a balancing act but we love what we do, we love each other and we’re just trying to keep the wheels turning and keep on moving because with these times and such, it’s good to navigate because everything is constantly changing. You don’t have to reinvent yourself all the time, but you have to definitely keep on top of all the different changes and stay focused.

Make sure everyone picks up the new single “Follower” which is out now at iTunes, Amazon, Spotify and more and be on the lookout for their new album out in April called “Wandering Soul”.

Visit their website at http://www.firebugmusic.com
Follow Firebug on Twitter @firebugmusic

The FMs: “They Simply Want to Save the World Without Being Dicks About It” by Eileen Shapiro

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Deliriously haunting and powerful, masters of dramatic goth, vivacious punk, passionate ska, with blasts of glam and sparkle, just touches upon the description of the FMs. Their orgasmic presentation challenges both genre and gender, and the world in general.

Visionary frontman Matt Namer turned to music when the desire to do something important with his life took hold of him….however, he’s much more than that. He and the band coaxes the audience into a state of hard core fantasy and then magically projects them back into the real world causing a revelation of reality accompanied by a vibrant journey into a danceable frenzy, I met the band in the dark confines of the chic venue, “Bowery Electric”, and watched as they proceeded to light up the room with their music, their androgynous attitude and their audaciously salacious fashion.

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Your band is filled to the brim with concepts and messages, and really different than anything currently out there. How did it originate?

The first two members that got together were Frances Rex and myself. Frances and I have known each other for a long time. We were actually in our first band with each other back in high school called “The Violent Orange”. Frances is the other lead singer and guitarist, but was actually the drummer of the band back in high school. I think her real talent is singing and writing songs and playing guitar. Since that time of The Violent Orange, she has been involved with a lot of different projects and has written some incredible music, and performed it. I’ve just always felt (for probably like 10 years or so), that it would be cool to be in a project with her where she’s playing guitar and singing and I’m playing bass and singing. So that was the origin of it. Around the same time that we reconnected I had started thinking a lot more music again, I got my own studio which is on the boat that we have….

Boat? What boat?

I never told you about the boat?

Nope.

There is a giant old ferry boat in Brooklyn that I’ve been involved with for a number of years. We have our music studio on it, and we also produce underground concerts and events there. It’s a hundred and fifty foot long boat, and has hosted events for up to a thousand people before, although now the events are more like 100 to 200 people. So I started producing a series there called, “SUBVERT”, it’s kind of like a call to action to be subversive and such.

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So you’re a visionary as well as a musician?

I’m probably too modest to refer to myself that way….Those events are really experimental. I’m just trying to do something that is really engaging to the sub-culture as much as possible, and pushing the envelope in terms of taboo and what we can do with events, while still maintaining a safe space where people can come. So that’s what I strive to do with each event. What it ends up being is a combination of live music paired with burlesque performances. The last performance we had was with people doing live hook suspensions from this big pyramid while we were playing a concert inside of it, which was on top of the boat. The next event that we are doing is, we’re setting up like a dungeon and play stage in the boat under where the band stage is and having a lot of LGBT burlesque performances, and some kinks stuff, and some cabaret music with goth music….Did you get to see the music video that we shot?

Send it to me please.

Its pretty cool, you should check it out. We have about one hundred and seventy thousand views on it so far between Facebook and YouTube. It was actually shot on the top of the boat mostly and the surrounding area.

Who’s responsible for this boat?

Myself and three other people, but there is a community that’s developed around it.

So circling back to the original question of the origin of the band….

So having my own studio space has sent me into this deep, really creative mode. It’s a little bit related to the starting of this project. So my friend and I came together after ten years or so after not making music together, and it seemed like a really great fit for us. We realized too that both of us were interested in gender queerness and androgyny, and not identifying not always with masculinity for me, and femininity for them. It made for an interesting kilter, a point for the band to have two lead singers who were both kind of gender queer but one is more man, and one is more woman kind of thing. So we started The FMs.

What does the FMs stand for?

The FMs stand for, a few different things. It stands for, “Fems”, it stands for the female/male, and it stands for some other little things that we’ve thought of like, “Fuck Me”, and then it also happens to be Frances and Matt, our names.

Matt, how old were you when you began to be interested in music and writing songs?

I’d say about 15/16, sometime around there.

What actually made you decide to make music a career?

I originally decided to be a musician when I was 15 years old, and 911 had just happened. I separately was going through my own evolution into being a teenager. I was kind of always interested in playing music, but I had a bit of an epiphany on a mountain one day where I was thinking that I should be doing something important with my life. That important thing was music.

What would you label your music if you had to give it a genre?

How many words do I get? To be honest I think I want to re-tool how we describe ourselves. It’s not something I’ve totally figured out yet, which is good and bad. Definitely a little goth, a little industrial, a little glam, and you can dance to it.

You released an album recently, was it your debut record?

We released an album in August. It was our debut album. We had a music video that came out with it as well, the one I was telling you about before, called “Implosion Model”. The album was a bit of a concept album actually. It’s called, “Machinacene Epoch”, and basically the title came from this idea that the geologist in the world kind of decided that human being’s influence on the planet geologically is so great that they have declared the “Anthropocene Epoch”, (dawn of human-influenced age). Humans have had such a huge impact on the Earth defined by plastic pollution, nuclear tests, and domesticated chicken that a new geological epoch needs to be declared. We sort of flipped that idea and said the we’re actually not in the age of human beings, humans haven’t really altered the planet. It’s the artificial world that human beings have sort of helped enable. That artificial world is this sort of a life onto themselves. The machines are sort of the ones shaping the planet.

Wow. There are no words…..so, are you currently working on any other musical projects?

Everyone said that we just released something in August so we don’t really have to make new music for awhile but we feel like we are a really new band. We’ve been together, the four of us since June really. So for me and the rest of us we sort of feel that we have a huge amount of room to evolve. So we are working on new recordings already and I think that they are much more sophisticated even then where we were at with our last album. I feel like we’re tapping into new things with some of the new music that we’re making.

Who writes the songs?

I think that I probably do most of the song writing, but all of us get involved in different ways. Its not like there are really any kind of rules around it in terms of who writes them and who doesn’t write them. We try to have as much of a democratic process as possible and anyone that has creative content that they worked on can bring it to the band and we can decide if it’s good stuff to work on further.

Do you have a hero?

I have a few heroes. One that probably comes to mind is David Bowie of course. I feel like Maynard James Keenan from “Tool” is also an inspiration to me. Music and the mix of comedy and politics with his music, and also he has an incredible voice. I just really respect him a lot as an artist. Trent Reznor of “Nine Inch Nails” too.

If you were a superhero what would your power be?

This is going to sound really corny but maybe to help people learn to love. If I could teach Donald Trump how to love people truly, it would be a wonderful thing.

For more info:
bit.ly/implosionmodel
thefmsmusic.com
Facebook.com/thefmsmusic
soundcloud.com/thefms
twitter.com/thefmsmusic
http://thefms.bandcamp.com/

Interview – American High by Rock Star Journalist Eileen Shapiro

Truly the best harmony I’ve ever encountered in a band or anything else, American High is an anomaly, a phenomena in the best way possible. Their recent release, Bones in the Attic, Flowers in the Basement, appears to be a happy upbeat mesh of harmony and joy…That is until you listen…then it gets serious. It becomes saturated with heavy anti-political messages, social protests, anti-war and money spending revolts, so fitting for the darkness our society seems to be heading into because of the state of our world  leaders.  

 
The extreme talent of the band, screams, “listen to us”. This is a faction that chooses to donate every penny they earn to the Sacramento food pantry, while they create true rock music.
 
I spoke with Doug Terry about everything in the world, including music, and the state of the world, while the conversation became deeper and deeper with each spoken word. Ultimately, the band loves to play music, however they do so with hidden and multi urgent messages attached to their artistry.

Your band is one of the tightest groups, with the best harmonies that I’ve encountered in forever.

Wow! Thank you so much.
Who does the vocals?

We all do. We’ve gotten a lot of reviews that critique our vocals, or the harmonies as being imperfect.

You know what, they are imperfect, but that’s what makes them so unique and fabulous.

They are perfect because they’re imperfect.

Yes, exactly. 

We are trying to make great songs. We think that if you’re trying to make songs, they should be great songs. For us that’s creating harmonies that are unique. For example I learned about something called the circle of fifths. I was reading about it and I got about two sentences in, and I realized what it was, and what they were about to teach me and I closed that website down. I’m avoiding the circle of fifths because probably according to that, you can probably figure out harmonies for anything, and make them sound good.

Your music is refreshing compared to much of what you hear on the radio.

You pick this cute teenager, and you get professional songwriters, some professional musicians, and engineers and producers, and really the singer has nothing to do with the music. We wanted to go the opposite. Back in the 60s they had these one hit wonders, and you don’t see anything like that anymore. It’s like some band out of Wisconsin could make up a great song, but in our days it’s the same 12 bands constantly on the radio, on constant rotation. We wanted to do something different.

How long have you been together?

About 2 and a half years.

So introduce the band.

Doug Terry: rhythm guitar
Taylor Abbasi:  Bass
Dave Borginis:  drums
Evan Miller (AKA ‘Mary’):  lead guitar

Who writes your music?

I’m the principal writer but we all do. It’s just something you feel. We will play, and play and then all of a sudden we will kind of look at each other, and say, “Ok”. We try not to record when we are just making up songs, and then if we remember it several days later, then it’s memorable and we will work on it. If it becomes a song then we will craft it later.

If you could have an ultimate dream on stage, what would it be?

It would be to play a show big enough, and to be popular enough, that people start listening to the message. All the great bands to me always have songs that are catchy, the songs are compelling, and they are interesting, quirky, but they are also infused with a deeper meaning. So, we try to do that.

I also love your album art.

Everything on the album and inside the album was made by a guy named Skylar, who is a very, very talented artist here in Sacramento. Everything on there means something. All of the art refers to songs, there’s a bunny, there’s a bomber plane, for the song, Test Pilot, there’s a picture of Eisenhower, there’s a little tiny boat in the ocean, then there’s the moon looking down which was very creative on Skylar’s part. It looks like a giant eye looking down, for the song Moon. So everything refers to something. I’ll tell you, we got a lot of reviews questioning why we call it an anti-war record. They couldn’t figure it out. We have a song called 1/17/61 with a picture of Eisenhower on the front of it. There’s a lot going on with the record.

Tell me.

We wanted to make rock ‘n’ roll. We watch a lot of old Beatles, TV videos, Green Day, and we love REM’s first appearance on TV when Stipe kind of choked. We love everything from the 60’s, 70’s, 80’s, through the 90’s. We thought that there’s many professors as we like to call them, like Lennon, Billy Joel, Kurt Cobain. We particularly respect bands that change things, that are new. I’ll break it down for you. We are anti-war. First of all we believe that everybody is born with identical rights. So it doesn’t matter if you’re born with a handicap, or if you’re born gay or straight, everybody is born with identical rights. Those rights cannot be revoked by people. For example, you have the right to not be murdered. You have the right to try to find food. So we believe that no one has the right to commit violence on another non-violent person, regardless of how much they believe they have the right to do so. It’s always wrong to commit violence. Violence comes in a lot of different forms. I lived in New York actually. I lived in Park Slope. On 911, I remember climbing up the fire scape and looking at the towers. I remember thinking, “Why?” Everybody was asking the same question, “Why do they hate us?” Well that’s a problem. It’s something. There’s got to be some reason. America has 100 military bases in 130 countries throughout the world. We have a military base in Germany. We won that war 75 years ago. What are we doing in Germany? South Korea, we won that one in the 50’s, and we are still there. Iraq, we never left. I don’t know what they are all doing over there, but we can’t help but think that it’s something. It’s something that’s been pissing people off, enough to blow up little kids at a concert. The blood is on the hands obviously of the murderers, but the blood is on the hands of other people too. We think it’s on the hands of military. The military is all overseas meddling in other people’s business, and trying to force people to do what we want them to do, and it pisses people off. So people strike back. That’s why we wrote September, and I Can’t Change. September is about 911, and I Can’t Change is about a buddy of ours that came back from one of these wars, and didn’t even know why he was there. Our opinion is that Eisenhower was right, that’s why we wrote, 1.17.61. If you Google it, that’s the day that he gave his farewell address. So here is a guy who ran the military, a five star General, and then followed that with the Presidency. What does he do with his one and only last chance to speak directly to the people? He says, “Look out for the relationship between the government and the military because it’s the biggest threat to peoples liberties, to people’s freedoms, that exists.” We are spending one out of every five tax dollars on the military. There are more guns in this country than people. We definitely don’t need to be meddling in everybody’s business.

Wow!

We think it’s all about the money. There are guys that are in charge that’s making too much money, they are in charge. There are people all over the world that are suffering so that these people stay rich. It’s immoral and we want to wake up the populace, or at least try. So let me ask you a question.

Go right ahead,

Have you heard about what happened a few months ago in Portland Oregon?

No.

You are like everyone else we ask. We ask everybody. Everyone says the same thing, “No”. What happened was on a train, there were two Muslim women. A racist psycho got on the train with a knife and started threatening them. Three non-Muslim Americans of various races stood up to defend those women. Two of them were murdered. One of them was critically injured, they were all stabbed in the neck.

So why isn’t this in the news?

Thank you! That’s our point. Why is that not plastered in the front page of every single newspaper, all throughout the world, especially the Middle East? It doesn’t go along with their mantra. It doesn’t go along with their hate. They hate us, we hate them. Let’s spend some more money on bombs. Whoever is pulling the strings doesn’t want people to know about this, because they want us to hate each other, so they can sell more bombs.

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